Life is a series of natural and spontaneous changes. Don't resist them - that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like. Live each day as it were your last. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself. It's never your fault. But it's always your fault, because if you wanted to change you're the one who has got to change
Believe in yourself! Have faith in your abilities! Without a humble but reasonable confidence in your own powers you cannot be successful or happy. I know where I'm going and I know the truth, and I don't have to be what you want me to be. I'm free to be what I want. Always continue the climb. It is possible for you to do whatever you choose, if you first get to know who you are and are willing to work with a power that is greater than ourselves to do it. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself. It's never your fault. But it's always your fault, because if you wanted to change you're the one who has got to change.
I'm free to be what I want. Always continue the climb. It is possible for you to do whatever you choose, if you first get to know who you are and are willing to work with a power that is greater than ourselves to do it. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself. It's never your fault. But it's always your fault, because if you wanted to change you're the one who has got to change.
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However, on the iconographic degree, although an increasing
variety of works with mythological themes began to be executed,
many of the artistic production continued to be religious, producing a curious symbiosis between the legendary figures of the classical
nude and the Christian characters most justified in appearing nude; Thus, we see how the figure of Isaac in Ghiberti's The Sacrifice of Isaac presents the classical typology of The
Children of Niobe, how the determine of the recumbent Christ in Donatello's Entombment
recalls the classical Meleager, or the posture of Eve in Masaccio's
Expulsion from Paradise is that of the Venus Pudica. This may be seen within the work of artists similar to: Masaccio (Expulsion of Adam and
Eve from Eden, 1425-1428); Masolino da Panicale (The Temptation of Adam and Eve, 1426-1427); Antonello da Messina (St.
Sebastian, 1476; Dead Christ supported by an angel, 1476-1479);
and Andrea Mantegna (Calvary, 1458; Bacchanal with Wine Vat,
1470; Lamentation over the Dead Christ, c.