Life is a series of natural and spontaneous changes. Don't resist them - that only creates sorrow. Let reality be reality. Let things flow naturally forward in whatever way they like. Live each day as it were your last. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself. It's never your fault. But it's always your fault, because if you wanted to change you're the one who has got to change
Believe in yourself! Have faith in your abilities! Without a humble but reasonable confidence in your own powers you cannot be successful or happy. I know where I'm going and I know the truth, and I don't have to be what you want me to be. I'm free to be what I want. Always continue the climb. It is possible for you to do whatever you choose, if you first get to know who you are and are willing to work with a power that is greater than ourselves to do it. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself. It's never your fault. But it's always your fault, because if you wanted to change you're the one who has got to change.
I'm free to be what I want. Always continue the climb. It is possible for you to do whatever you choose, if you first get to know who you are and are willing to work with a power that is greater than ourselves to do it. We are taught you must blame your father, your sisters, your brothers, the school, the teachers - but never blame yourself. It's never your fault. But it's always your fault, because if you wanted to change you're the one who has got to change.
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natural to 20-initially century visitors: that the poems are deeply own expressions of
personal homoerotic enthusiasm. Ancient references to the poet’s "companions" and "students" have led one skilled
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than expressions of specific yearning for a young woman, the poems were, in Lardinois’s check out, "public forms of praise of the common attractiveness of the girl," celebrating her readiness for wedlock and
integration into the larger sized society.
This communal voice, which to us would seem jarring in lyrics of deep, even erotic sensation-visualize that Shakespeare’s sonnets had been penned as choral hymns-is a single that some translators now just dismiss,
in preserving with the modern day curiosity in particular
person psychology. Even purely literary troubles-for instance, the
tendency to assume of Sappho as the inventor
of "the lyric I," a single, emotionally naked speaker who gets to be a
stand-in for the reader-are influenced by these new theories.
In some lyrics, the speaker works by using the initial-human being plural "we" in other
individuals, she utilizes the plural "you" to handle a team-presumably the refrain, who danced as she sang.
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